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Read more: Revisiting the performance-capture animated films of Robert Zemeckis This came on the heels of his previous performance-capture animated films of the 2000s, The Polar Express, Beowulf, and A Christmas Carol, which we’ve covered in a previous feature. Some 40 years after its original release, there was a brief period where Robert Zemeckis was working on revamping the film as a computer-generated 3D extravaganza. The film was a modest commercial hit upon its release, but it was lauded by critics and has long been considered an animation landmark. Designed as a film in the style of Disney’s Fantasia, the uniquely stylised film plays out in a succession of weird and wonderful setpieces accompanied by Beatles tunes, as the characters set out to restore Pepperland to all its colourful, musical glory. Yellow Submarine sees John, Paul, George, and Ringo travel to Pepperland, an underwater paradise that’s fallen under the yoke of the music-hating Blue Meanies. When the Fab Four were looking to satisfy a three-film contract with United Artists after A Hard Day’s Night and Help!, they hit upon the idea of adapting the Lennon-McCartney-authored children’s song into an animated film instead of making another live-action outing. Nevertheless, the track ‘Yellow Submarine’ did inspire an acclaimed animated feature of the same name in 1968. “We all live in a yellow submarine” is not one of The Beatles’ most relatable lyrics.
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The plot and the international politics leave a lot to be desired, although they do end up manufacturing a silly but effective stand off by the end.Disney and Robert Zemeckis were once set to remake The Beatles’ Yellow Submarine as a 3D CG-animated movie for a 2012 release – here’s the story. Also no one seems to be able to communicate with anyone else, like when Captain Glass decides to save a Russian captain played by the late Michael Nyqvist, except in an extremely pivotal moment that makes you wonder why no one did this earlier.ĭiplomacy conversations really go out the window when the Americans decide - against the protest of Chairman of the Joint Chiefs of Staff Charles Donnegan (Gary Oldman, for some reason) - decide their best option is to rescue the Russian president from his own soldiers and not tell anyone about it. It all eventually comes together when they realize that there’s been a coup on the Russian president, but why anyone makes any of these decisions prior to this is just baffling to say the least. Back in the U.S., NSA worker Jayne Norquist (Linda Cardellini, one of three women in this film), decides Fisk needs to send a ground team (Toby Stephens, Michael Trucco, Ryan McPartlin and Zane Holt) to Russia, which ends up feeling like a Peter Berg short film accidentally cut into a submarine movie.
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Their mission gets even more puzzling, as a Russian sub hidden in the crevasse of an iceberg starts firing on them. The next thing we know a military helicopter is swooping down to pick him up and take him to his sub. This moment lets the audience know a few things: a) That Joe Glass has empathy and b) that this movie has no subtlety. But then he looks to the right of the buck and sees its CGI family close by and decides to lower his weapon.
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We meet him in the middle of nowhere, in snowy terrain about to shoot a CGI buck across a glassy lake with a bow and arrow. He’s seen stuff, guys, and not in a Naval Academy classroom. He “never went to Annapolis.” Why that makes him especially qualified for this mission will basically remain a mystery, other than the fact that he’ll readily disobey orders and go rogue at any opportunity. The man for the job, Rear Admiral John Fisk (Common) concludes, is Captain Joe Glass (Butler), who we’re told is not like the other guys. An American submarine is torpedoed by a Russian sub in Russian waters, but back in the U.S., all they know is it’s disappeared, and they’ve got to go find it. Grant shine in biopic about fraudster biographer 'Can You Ever Forgive Me?' Review: Melissa McCarthy, Richard E.
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